Within SIFF often curious encounters with musicians in professions that create cinema. This year, n

Within SIFF often curious encounters with musicians in professions that create cinema. This year, none missing. One of the most interesting, perhaps, was that of two men who know a lot about what it takes to be a successful independent producer of this and the other side of the Atlantic. It's about Cedomir Kolar and Jim Stark. The first was born in the former Yugoslavia, but has been living and working in France. In his biography has films like "Arizona Dream," "Before the Rain," "Heaven," latin grammys 2011 the novel of Bosnia and Herzegovina latin grammys 2011 "11 September 2001", "No Man's Land" and others. The second is from New York, which can be recognized by his accent, and his biography has titles such as Jim Jarmusch films "Coffee and Cigarettes", "Outlaw", "Mystery Train", but titles like "Factotum" Bent Hamer. The meeting with the two took place at Lumiere. It is surprising that it no longer present Bulgarian filmmakers professionally should be most interested in how you make your way to world cinema as an independent. We decided instead to retell your conversation to record it and broadcast entirely. For your convenience we divided the entire meeting into three parts, and here and identify what you can learn in each of them. In part p Ervan Jim Stark and Cedomir Kolar tell why and how they become latin grammys 2011 producers. Find that the first entry into the world of cinema was an accident after a party liked girl whose boyfriend was filming a movie and needed a lawyer to negotiate selling it. In the second, however, things have been more seriously considered when it enters the Film Academy in Belgrade where he graduated from the socialist equivalent produtsenstvoto - kinoorganizatsiya. In addition, you will learn that the most important qualities that a producer of independent films should have are perseverance, courage and ability to not worry about their own future. To produce the film in the U.S. is quite different from that to produce the film in Europe. What are the ways to finance the Old World and the New, and how they influence latin grammys 2011 the creation of a film is the last thing I will reveal Jim Stark and Cedomir Kolar in the first part of their conversation, which was conducted with issues of film theory Aleksandar Donev. In the second part the producers think about how important the commercial success of independent film and therefore rely heavily on advertising, "word of mouth". You'll also learn about two particularly successful in France long practices that help to finance French cinema. One is a law that if a private investor wants to open a multiplex, it can do so only if agreed in one of his rooms to project latin grammys 2011 only French cinema. The second requires broadcasters do not broadcast films on Wednesday night, when normally go movie premiere in theaters in the country, and on Friday and Saturday night. So if you do not compete for viewers with television, theaters attract a lot more revenue. Finally, the set of Actualno.com question whether they have found something interesting that want to produce the projects submitted to the Sofia Meetings Cedomir Kolar will share that has remained at very impressed by two Bulgarian ideas. latin grammys 2011 In the third part you will learn whether a strong latin grammys 2011 influence on the creation of a film of its traders because there are so many different producers in the end credits of more films, can be defined as a good film. A very important point is the question of how the global financial and economic crisis will change the film at all, which both producers responded that since its in theaters in America and in France a record cash receipts. * Is shot and processed by Nikolai Ivanov. Sn.: Geo Kolev, studiofo.net actualno.com, March 23, 2009
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